the two hands of the devil

I haven’t really been writing much about politics these days. When I do, it tends to be pretty local or small-scale. Though I haven’t been making a ton of art, any political ideas never get too far.

Earlier this year, Conor Oberst talked about the difficulty of making protest-oriented art in the time of Trump. It’s the great paradox of Trump that is perhaps the most interesting thing about him: For a man with so many obvious character flaws, with only self-interest in his heart, he is remarkably difficult to actually insult. He is incredibly vain and therefore does care about image, but only in a specific capacity that art, or perhaps even language, doesn’t have a known capacity for.

Like I said, it’s a challenge, but one that I would think and hope any artist would be up for at least trying to overcome. That hasn’t really been my problem. Trump is just a guy, and in the end he’s a symptom of the disease, not the disease itself.

What has become impossible, though, is reconciling the parallel horrors that have become the background noise of everyday life. The ongoing genocide in Gaza being one line; the Epstein Files being another. Blatant evidence of human life being ruined or ended at a massive scale to no consequence at all.

I have to imagine the only parallel in the United States would be living during the time of the slave trade. Slavery allowed for the evil to be on display the way it is now being broadcast over social media—after slavery but before the internet, the forces of white supremacy could use the media to generally control the discourse around atrocities. They could two-sides any scandal.

But there’s no way out of this one. These events are a mirror. From Palestine to Little St. James, there is no excuse for the systems that are operating via child trafficking, murder, mass rape, or ethnic cleansing to continue—much less for those who participate in any of it to get away unscathed. There is no room for debate. At some point, a line must be drawn, and to my mind, we crossed it years ago.

I’ve always felt that art is the closest thing we have to being able to get a better understanding of the soul. But these past few years have been killing off whatever was left of that human spirit, to the point where I ask myself, What am I even trying to relate to anymore?

Making art right now feels like hosting a party inside of a burning house. Anyone who wants to be entertained in this moment isn’t someone I’d want to entertain. But the lack of consequences for these monumental horrors are now embedded in our culture. And that makes me feel I just don’t want to participate in that culture any longer.

the end of the tour

Watching Ed Sheeran’s career implode this week has been a delight. He dropped Macklemore from his tour due to pressure from known associate of Jeffery Epstein Robert Kraft regarding voicing support for Palestine on stage. The fallout from Sheeran’s spineless bending of the knee to billionaire Zionists has been wonderful. Everyone else performing (including his backing band) left the tour while Macklemore pledged $1 million of his earnings from the tour to Palestine Aid.

It’s unfortunate but the only way to really change things under capitalism is to fuck with Big Money. Though some some celebrity entertainers who remain ‘apolitical’ (Taylor Swift and Jay-Z come to mind) for the sake of their ticket sales are still kind of untouchable from public criticism, this fall-off for Sheeran suggests the protests against Israel have reached a new level in American discourse. The general public cares more about celebrities than most things, and this kind of attention will hopefully provoke those at the top to understand standing with Israel—or deciding to not comment on the matter and thus side with the genocide—could potentially lead to major losses in both income and legacy.

With the Trump administration agreeing to sell $2.8 billion in arms to Israel, Sheeran’s disaster is helping to increase the scope of debate about the United States’ position in funding genocide and protecting an apartheid state—and what it means to say, No Comment.

At this point I will not even speak to someone who supports Israel (except maybe to tell them to get fucked). There is no excuse for ‘not picking a side’ regarding (much less openly supporting) a genocidal apocalypse state that protects pedophiles while targeting children in Gaza. Over fifty percent of the population supports killing every Palestinian, while eighty-two percent support expelling them from Gaza using force. It is a depraved horror show of a country that should be dissolved immediately and left to the history books in a chapter titled Great Mistakes of International Governance.

I hope Ed Sheeran learns some kind of lesson from this and I hope every PR agency is in a state of panic as to how to handle their clients with this increasing public discontent for the wealthy supporting mass murder. Mostly, I hope this becomes the type of protest that begins to really interfere with the finances of people who only care about money and are OK with disregarding human life. They are the rot of humankind and the only reason I hope there’s a heaven is because that means there is a hell that they will all burn in for eternity.

understanding faith

There’s an interaction in the new movie Tony where the Anthony Bourdain character tells his chef mentor he doesn’t believe in God, and the mentor replies, “What is that? That’s like saying you don’t believe in air, but you continue to breathe.”

What’s funny to me about this sentiment—which I hear plenty of similar-orbit shit constantly by just going to AA meetings—is that it works on paper, the same way any structure of authority does. (It is not lost on me that very religious conservative Americans will say communism only works on paper but the word of God, as it is written in the Bible, is indelible.) It’s pretty easy to conceptualize of the idea that there could be something that we, as humans, are incapable of truly grasping the all-encompassing nature of out in the universe.

But that isn’t the premise that the movie talks about, and that is so often confused in these theological debates. The idea posited isn’t Can you conceptualize of a god?—the question usually asks Do you believe in God?

There is a fundamental difference between these acts. I can understand the idea of capitalism the same way I can understand the idea of communism, but I will not believe in the former the way I will the latter. With the argument surrounding some kind of higher power, these understandings of ideas against beliefs become more abstracted but the premise remains—what does your individual relationship with reality allow you to feel aligned with at a spiritual level so much that you can have faith in it?

Looking at the world, both in this moment and throughout history, I can’t believe in any sort of god that centers humanity. We are a vile species hell-bent on self-destruction—at either a massive scale through balances of power or individual scale through vice and corruption. I certainly won’t lend my belief to any god that is talked of as representing countries like the United States or Israel. Does a god that created humans to create religion, and all the subsequent death and destruction in its name, exist? Maybe, but I don’t have to—and will not—believe in that.

So often people who adhere to organized religion cherry-pick what to believe in from a religious text and excuse incongruent ideas by the passive dismissal of, “It’s not for us to understand.” This feels like such a catch-all justification for perpetuating destructive behavior or ideas without feeling the need to improve (or, perhaps, the guilt for being associated with it).

Part of it is just being sick of an ongoing genocide and settler-colonial project being justified by ‘God’s promise,’ but it’s mostly how one-dimensional a lot of theological talk feels in general public discourse. Comprehension, imagination and faith are separate concepts that get conflated and then used as justification for the selfish deeds of humanity and it’s just so goddamn stupid.

lining the rabbit cage

Why even try to write about any of this now? There is so much happening on a daily basis that it’s difficult to keep track of, much less maintain a discourse on. The climate crisis? War? Artificial intelligence? Wealth disparity? Global fascism? Genocide? Wage stagnation? What’s the point?

I think right now that question—Why bother?—is more interesting to me than the sum total of all the issues being faced, because it points directly to the crux of the problem. There is a bottleneck between the outcry for necessary change and administrative action to set it in motion, and that stagnation leads to division, rage, and despair among the people. This does not feel unintentional.

In a 2017 town hall debate on CNN, Nancy Pelosi replied to a question regarding the popularity of a more socialist economic agenda with, “We’re capitalists.” When I watched that live, it felt like a real mask-off, with-us-or-against-us moment for the Democratic party. Regardless of who is in power, there will never be a political agenda that prioritizes the well-being of the people over that of economic growth (and, when it comes down to it, individual profits). Nearly ten years later and it feels like liberals still won’t acknowledge that when you play the tape of capitalism to the end of the line, you end up with a guy like Donald Trump in power every time.

But the fact is the Democrats have no interest in what their constituents want, regardless of what it costs them. Kamala Harris lost in 2024 due to her pro-Israel stance during a genocide. Instead of even acknowledging that, the DNC buried the campaign autopsy because it said just as much. The Democrats won’t admit why they lost, and by doing so, won’t have to change any policy that might prevent donations coming in from AIPAC. If they won’t change their tune on supporting a genocidal apartheid state, I can’t imagine they’ll turn against Wall Street.

And this is what we’re stuck with—a hyperactive social media machine, a lazy and dying fourth estate protecting corporate interests, and a government that could give a fuck about any of it. We’re just in a cycle of talking amongst ourselves ad nauseam while nothing changes—constantly gaslit into an echo of reacting to one crisis after another, being exhausted by the lack of response by anyone in power. This repetition can only go on so long before it breaks into fits of action, at which point I think we’ll see the iron fist of the state really begin to squeeze.

At the very best, it’s demoralizing and leaves a feeling of futility to any creative endeavor. If nothing else, all I can do is imagine that when the dust settles and whatever comes next finally arrives, there will be some kind of record on how it all went down. Sometimes bearing witness is all you can do.