down the barrel of a digital gun

There are plenty of write-ups and think pieces on the internet about You Can See Everything right now (and, I mean, not without reason—I think it’s as provocative as anything in the last ten years in that regard), so I won’t add too much to that particular pile.

One thing that does send chills down my spine, though, is that the people featured in a documentary that is exploring manipulation, self-interest, control, and pathology are just two examples carved from the Silicon Valley arena of entrepreneurs who are attempting to dictate the future of western civilization (and, unfortunately, at the moment are largely succeeding). Evidence has been mounting for decades that the people in this niche exist on a spectrum between morally dubious and downright evil—and the film does an accidentally remarkable job at showing how the mentality it takes to live in that world plays out in everything about life that isn’t a business matter.

(It is also striking that this movie is exactly the kind of thing that AI could never produce. The creativity that has spawned the cultural phenomenon and dialogue around this film is the essence of what I mean when I say a machine cannot make art. This is nuance, it’s being able to understand human nature and question it simultaneously with equal and opposing force. It’s being able to navigate the unknown in a way that is emotionally resonant. It is, quite ironically, the type of thing that the Silicon Valley tech proponents would disregard in the face of a chat bot being able to replicate the style of Van Gogh.)

The AI company Anthropic lost $80 billion in the first half of 2026. The tech industry accounts for thirty-two percent of the entire value of the S&P 500. The ‘leaders’ of tech believe in the end of humanity—which could easily explain why they don’t seem to care about the risk involved in widespread economic collapse. The writing on an AI bubble bursting has been on the walls for some time now. Yet with this technology, it’s not that I mind the idea so much as I do those building it.

Invention is not a bad thing. But when you don’t believe in people, when you don’t care about even trying to understand art, and you’re kind of indifferent about the collapse of society, your hands should not be anywhere near the wheel that is driving us all toward the future. There are people who use guns to hunt for food, there are people who use guns to force others to do their bidding, there are people who use guns to outright murder. The people at the helm of the future of the world right now are the ones would at least qualify to be in the second category, and there are plenty who are just fine with the third. So when I say something like, AI terrifies me, it’s not that I’m scared of a machine, but rather what it will learn from its inventor.

imagine the view

The View

Laundry room views

I hate spending hours washing clothes—I mean, who doesn’t?—but I am reminded that in this new place, I get a not-so-bad view of downtown from the laundry room.

it’s a tough life

Key

Key

Richter

Richter

Since moving a few months ago, these two have been exploring new personality traits as much as they have been the new studio.

Cats are the best.

you can see everything

You Can See Everything

The view from here

A view from The Grove parking lot after seeing You Can See Everything. I don’t even know what to say after this film, I just needed a post to document how much my head is in the sky was after seeing this. Just a juggernaut of a film that has so many levels I don’t even know where to start. I don’t think I’ve ever seen something like this and it will be on my mind for a long time.

out the window, across the street

Western

Western and Olympic

James M Wood

James M Wood and Vermont

It’s been a brutal summer to drive around for me, as my 1999 Subaru hasn’t had a functional air conditioner in many years. The heat seems intermittent now at best, and I will be glad when the forecast doesn’t include any days in the mid-90s.