down the barrel of a digital gun

There are plenty of write-ups and think pieces on the internet about You Can See Everything right now (and, I mean, not without reason—I think it’s as provocative as anything in the last ten years in that regard), so I won’t add too much to that particular pile.

One thing that does send chills down my spine, though, is that the people featured in a documentary that is exploring manipulation, self-interest, control, and pathology are just two examples carved from the Silicon Valley arena of entrepreneurs who are attempting to dictate the future of western civilization (and, unfortunately, at the moment are largely succeeding). Evidence has been mounting for decades that the people in this niche exist on a spectrum between morally dubious and downright evil—and the film does an accidentally remarkable job at showing how the mentality it takes to live in that world plays out in everything about life that isn’t a business matter.

(It is also striking that this movie is exactly the kind of thing that AI could never produce. The creativity that has spawned the cultural phenomenon and dialogue around this film is the essence of what I mean when I say a machine cannot make art. This is nuance, it’s being able to understand human nature and question it simultaneously with equal and opposing force. It’s being able to navigate the unknown in a way that is emotionally resonant. It is, quite ironically, the type of thing that the Silicon Valley tech proponents would disregard in the face of a chat bot being able to replicate the style of Van Gogh.)

The AI company Anthropic lost $80 billion in the first half of 2026. The tech industry accounts for thirty-two percent of the entire value of the S&P 500. The ‘leaders’ of tech believe in the end of humanity—which could easily explain why they don’t seem to care about the risk involved in widespread economic collapse. The writing on an AI bubble bursting has been on the walls for some time now. Yet with this technology, it’s not that I mind the idea so much as I do those building it.

Invention is not a bad thing. But when you don’t believe in people, when you don’t care about even trying to understand art, and you’re kind of indifferent about the collapse of society, your hands should not be anywhere near the wheel that is driving us all toward the future. There are people who use guns to hunt for food, there are people who use guns to force others to do their bidding, there are people who use guns to outright murder. The people at the helm of the future of the world right now are the ones would at least qualify to be in the second category, and there are plenty who are just fine with the third. So when I say something like, AI terrifies me, it’s not that I’m scared of a machine, but rather what it will learn from its inventor.

you can see everything

You Can See Everything

The view from here

A view from The Grove parking lot after seeing You Can See Everything. I don’t even know what to say after this film, I just needed a post to document how much my head is in the sky was after seeing this. Just a juggernaut of a film that has so many levels I don’t even know where to start. I don’t think I’ve ever seen something like this and it will be on my mind for a long time.

the malls of america

I hate The Grove. It’s one of two gaudy, outdoor malls in Los Angeles by a billionaire who lost the race for mayor four years ago (the other being The Americana). In the past, I’ve found myself at the latter to catch a movie in the middle of the day because it’s down the street from my mechanic and I’d need to kill a couple hours while my car was in the shop. The Grove, though, I avoided at all costs.

Now, I can’t. At least not if I want to see a new movie.

Since theaters re-opened in 2021 or 2022, I’ve been using AMC’s A-List membership. I see a shit-ton of movies and the cost pays for itself if I go just twice a month. However, I’ve also lived in East Hollywood that whole time—just a 12-minute drive from the Burbank multiplex with its 30 screens and free parking.

A couple months ago, I moved into what is basically my dream place. There’s really nothing to complain about—except now that I’m in Westlake, Burbank is a much further drive and now the closest AMC theater is at The Grove, with its 14 screens and $6 parking.

The Grove

An afternoon at The Grove

There are any number of reasons I hate this place. An outpost of capitalism, there’s a kind of faux classiness to it all. There are ‘luxury’ stores but the experience of being at one of these malls is anything but. It’s the shopping center version of pleather. (Kind of ironic given Rodeo Drive is just three miles west, down Third to Beverly Hills.)

One thing going to The Grove does for me though, is that it reminds me how different people can be. It’s a real removal from my comfort zone. I walk around completely confused as to how people of all ages go to this place willingly and un-ironically, just to like, hang out. It is mystifying.

Consumerism in America is so central to national identity that places like The Grove really make me think about how the notion of what you want at a material level seeps in to every aspect of life—how being presented with certain options is disguised as being catered to, and what that means for how we view our politics. These sorts of places use the model of collective gathering to spur on the notion of individualism, and I think that’s far more destructive to the human condition of living in the United States than the specific economic model of capitalism (though the two are inextricably linked).

the cost of living

John Wilson

Q+A with John Wilson

Had the opportunity last night to see an advance screening of The History of Concrete featuring a brief Q&A session with John Wilson afterward. I’ve written before about what a joy theatrical experiences are in Los Angeles, and this certainly was no different. Waiting in line outside the theater beforehand, a guy drove by yelling, “Fuck yeah John Wilson!” out his window. A Gen-Z woman on the corner waiting for some tacos yelled toward us, “I’m jealous of every single person waiting in that line.” It was a good vibe.

Some would argue that the weather and the water are what makes living in LA worth the steep cost of living. Some might say that there’s a lot of opportunity. Some would say there’s just a lot going on. None would be wrong. It’s so expansive, both literally and metaphorically, that you can really just take what you want and leave the rest. While it’s probably nice to be a movie star and live in such a place without having to care about gas prices, the city offers up plenty for people who aren’t in the one percent. It’s still a good place to just be.

Drive

Alone in Virgil Village

Yet gas prices are a concern for many. There are more than a couple crises facing the city right now being debated in the lingering mayoral election (go Nithya). But the larger, national issues that a mayor has no power over are hitting hard here.

I was driving down Virgil and passed a Sinclair gas station with a line into the street of waiting cars because they were selling gas for $5.79 a gallon—which is the cheapest I’ve seen in the past few weeks. As the threads of the economy are being pulled apart by profiteers everywhere, I kind of wonder how this will play out in such a sprawling, only-kind-of-interconnected metropolis with an outsized police budget.

It does feel like we’re in the last moments of musical chairs, except there are like two chairs and three hundred people trying to grab a seat. There’s no telling what chaos will ensue when the dominoes start to fall at scale, and it’ll probably hit different everywhere. A city like San Francisco, condensed and contained by geography, will respond to public discontent with measures that won’t work in LA’s sprawl. That discontent will be difficult to measure as well, because class solidarity doesn’t really begin to take hold until a large majority of people can’t afford to just be where they’re at.

So I’m trying to enjoy these fun little movie screenings while I can, because it certainly feels like this is all going really bad and is going to get much worse in the not-too-distant future, and I have no clue what living in a city like Los Angeles is going to be like if gas hits ten bucks a gallon and all the restaurants shutter, but I can’t imagine it will be the fun kind of vibe I enjoyed last night.

laundry and the movies

LA

Laundry room views

LF3

Los Feliz 3