violence against violence

It’s hard to write about the fraternity rape at Cornell. Not because the story is surprising by any stretch of the imagination, but because it isn’t.

Hope has felt like a lost cause lately. Even if the seven directly accused in this case all went to prison, it wouldn’t change frat culture nationwide (where I would imagine stories like this happen far more frequently than anyone wants to think about). This incident is a symptom, not the disease. And this disease in particular is just like, a variant of a larger, deadlier one rotting away at everything in this godforsaken country.

These days I’ve been thinking a lot about Confederate flags. There was this whole segment of the United States that had to be literally beaten into submission and practically burned completely to the ground due to an unflinching support of a great evil. And still today, people fly that flag with pride, hoping for a systemic resurrection.

All I know is that everything is cyclical. We are in a moment of opinion, and at some point, someone is going to say, “Talk is cheap,” and the first domino in what happens next will fall. Violent institutions and the systems that protect them inevitably create a violent response, and every day we’re getting new examples as to why it’s time to burn it down, flags and all.

the two hands of the devil

I haven’t really been writing much about politics these days. When I do, it tends to be pretty local or small-scale. Though I haven’t been making a ton of art, any political ideas never get too far.

Earlier this year, Conor Oberst talked about the difficulty of making protest-oriented art in the time of Trump. It’s the great paradox of Trump that is perhaps the most interesting thing about him: For a man with so many obvious character flaws, with only self-interest in his heart, he is remarkably difficult to actually insult. He is incredibly vain and therefore does care about image, but only in a specific capacity that art, or perhaps even language, doesn’t have a known capacity for.

Like I said, it’s a challenge, but one that I would think and hope any artist would be up for at least trying to overcome. That hasn’t really been my problem. Trump is just a guy, and in the end he’s a symptom of the disease, not the disease itself.

What has become impossible, though, is reconciling the parallel horrors that have become the background noise of everyday life. The ongoing genocide in Gaza being one line; the Epstein Files being another. Blatant evidence of human life being ruined or ended at a massive scale to no consequence at all.

I have to imagine the only parallel in the United States would be living during the time of the slave trade. Slavery allowed for the evil to be on display the way it is now being broadcast over social media—after slavery but before the internet, the forces of white supremacy could use the media to generally control the discourse around atrocities. They could two-sides any scandal.

But there’s no way out of this one. These events are a mirror. From Palestine to Little St. James, there is no excuse for the systems that are operating via child trafficking, murder, mass rape, or ethnic cleansing to continue—much less for those who participate in any of it to get away unscathed. There is no room for debate. At some point, a line must be drawn, and to my mind, we crossed it years ago.

I’ve always felt that art is the closest thing we have to being able to get a better understanding of the soul. But these past few years have been killing off whatever was left of that human spirit, to the point where I ask myself, What am I even trying to relate to anymore?

Making art right now feels like hosting a party inside of a burning house. Anyone who wants to be entertained in this moment isn’t someone I’d want to entertain. But the lack of consequences for these monumental horrors are now embedded in our culture. And that makes me feel I just don’t want to participate in that culture any longer.

further divides

Speaking at the World Economic Forum, New York Times financial columnist Andrew Ross Sorkin imagined a future where only wealthy people would be able to travel and ‘those of lesser means’ would only be able to experience the world through a VR headset. He goes on to talk about how that might create a divide between rich and poor. Jesus Christ.

It’s quite obvious how the chess pieces of technology, corporations, capital, violence, and governance are being aligned right now to create a future where the majority are ruled with a generally automated iron fist by the few. It’s the plot of endless sci-fi stories, but what comes to mind is Elysium, where the rich build themselves a giant space station as the rest suffer on a burning Earth patrolled by robots. What’s also evident is that those who aren’t quite wealthy, but live comfortably above most, are generally in favor of this divide, even though it would likely see them stuck holding the short end of the stick with the rest (see: Ross Sorkin and the entire NYT op-ed section).

There’s a good chance it is too late to do anything about it. While groups of people who lean left politically exist in the United States, they’re predominantly in urban areas and proportionally tiny compared to the population at large—a population that believes capitalist neoliberalism is ‘left-wing.’ The type of change required to do anything about wealth disparity—via reform or revolution—is simply impossible. In turn, the country will be forced to look on as the people are robbed, their food supply poisoned (or, eventually, lost), and any reaction brutally policed by stalkers and thugs using AI surveillance. (Even at the local level, despite outrage from the people who elected them, city councils are voting in favor of building data centers everywhere.)

Meanwhile, the wealthy and their fans will go on to have discussions about how they’ll be perceived as all of this violence against humankind continues unpunished. The United States has probably passed any point of anyone in power having to deal with any kind of consequence for any action whatsoever. We can’t even properly handle cops standing around for hours during a mass school shooting, much less force the release of the Epstein Files. This country has volunteered itself into submission.

China might be able to reframe the balance of power in the world and possibly diminish the role of capitalism in the future, but the United States will surely burn itself to the ground—and as much of the world as possible—before that happens.

a shriek in the night

I moved recently, and the back door of my new place opens up into a fenced-in parking lot. The fence is chain-link on two sides, and metal bars on the side facing the street. There’s an automatic gate for cars to get in and out. The bars are just far enough apart for small animals to be able to squeeze through.

I say this because, for the past two nights, I’ve been woken up by the shrieks of animals in distress. Last night the identifiable cries of a cat echoed through my apartment at three in the morning. I went out to my stoop to see if something was happening, and the cat kept wailing. After a minute, one came in from the street—the stray that hangs out in our neighborhood that my neighbor Donna sometimes cares for and calls Trashy. I heard no other animal sounds, leading me to believe that a person on the street had been attacking her. She saw me and laid on the ground, keeping her distance.

Tonight, or just now rather—I don’t know if five am qualifies as the night or not—a combination of wails and barking woke me up. Two vague shadows that could have been street dogs or coyotes had a raccoon cornered on Donna’s stoop, the raccoon trying to avoid getting caught, barking in a way I’ve never heard a creature sound. Two sounds came from the raccoon: a violent bark in self-defense and an excruciating cry whenever one of the dogs caught hold of it.

I didn’t know what to do and was frozen watching this animal trying to save itself. The raccoon somehow escaped the stoop and scampered across the lot, climbing the chain-link fence. The dogs followed and were able to climb it for a minute or two. The barking and howling continued but the dogs were not able to keep on the fence and eventually abandoned their attack, leaving the raccoon to try and balance on the top, gravely wounded. It tried to walk, it tried to hang on, it swayed as it attempted to head toward the street, its legs were giving out.

After a few minutes, the silhouette of the injured animal fell to the ground of the alley on the other side of the lot and hobbled into the shadows of the building across the way. I have no clue where the dogs went or how they got in and out of my lot. I am sure the raccoon is dead by now.

It’s just one of those things where like, my new place is a pretty amazing spot to live, but when I initially toured it I did not think to ask, How many nights a week am I going to have to listen to a small animal fight for its life? It’s a harrowing experience, to hear and/or see a living creature being attacked. The echoes of wailing fade but that resonant pain and violence lingers in the air. Nothing is comfortable. My cats are scared, huddled up on the bed.

I can handle many things, but stuff like this really gets to me. I know the way the world works—larger animals attack smaller ones, that’s life, et cetera. But confronting it in reality just reminds me of how we humans choose to do this sort of thing to ourselves. Raccoons and cats are kind of just subjugated to nature’s order, but humanity has invented its way out of that. We aren’t subject to violence, we choose it. I don’t have a great memory, but I’ve seen many forms of brutality—accidental deaths, street fights, drive-by shootings, defenseless beatings, murder—and every scene remains crystal clear in my head. I remember exactly where I was, the time of day, the weather. Even just a proximity to violence leaves a mark.

I don’t know, this post has turned into something else. Truth be told, I just am still stirred from hearing and watching that poor raccoon trying not to be torn to pieces on my neighbor’s steps. A little death in the morning tears a hole in the day, and I’ll just be off-balance for the rest of this one.