Sundown
Sundown
Moonshine
After a rather brutal August into September heat wave, Los Angeles is finally settling into normal weather for this time of year. I look at my portable AC with hesitation—I feel like putting it away for the winter is tempting fate that we’ll get hit with another week of 90 degree lunacy. The beach is only 10 miles away but it takes 45 minutes to get there. Sometimes living in this city just feels absurd.
One of the difficulties with sobriety is that addicts are obsessive and tend to replace their habit with another, arguably less destructive, one. For me it’s been TV and movies. I feel less bad about the latter, but watching too much television feels gross. I know how bad it is for the mind, I’ve read enough media theory. It’s a problem that I’m trying to use music and reading to beat, but I consider it just as bad as drinking.
So here’s a list of stuff I’ve been listening to on a lazy Saturday afternoon:
Those Who Walk Away, Afterlife Requiem
Kind of drone, kind of melodic; this is one you just kind of get lost in. I’ll put it on while working and parts will just come out and grab my attention out of nowhere.
Songs: Ohia, The Lioness
Totally slept on this for years, even though I love Didn’t it Rain. Just sad songs and beautiful guitar work from the late, great Jason Molina.
Gillian Welch, Time (The Revelator)
Possibly the best singer-songwriter album of the 21st century. Though it was written about Napster, “Everything is Free” is more meaningful than ever. Not a second of this is less than perfect.
Tim Hecker, Dropped Pianos
Different than most of Hecker’s more intense and varied work, this is short and sweet piano and organ music that keeps a pretty morose but enchanting experience.
The National, Rome (Full Concert)
This is half-full of songs I really didn’t like on their Frankenstein album that are completely different when played live. I just wish they’d played “Slow Show.”
Charli XCX, Wuthering Heights
I kind of disdain Charli’s cultural presence in general, but it’s hard to deny this record is just banger after banger. Just a monster of a pop album that will probably be my favorite of the year.
Radwan Ghazi Moumneh & Frédéric D. Oberland, Eternal Life No End
Excellent worldly music from this Middle Eastern duo that fuses a lot of traditional sounds from that part of the world with driving, electronic-inspired percussion.
Jason Isbell, Foxes In The Snow
I have been kind of mixed on his work since Southeastern, but this acoustic album about a breakup and falling in love with someone new is full of what it means to endure the extremes in relationships.
Q+A with John Wilson
Had the opportunity last night to see an advance screening of The History of Concrete featuring a brief Q&A session with John Wilson afterward. I’ve written before about what a joy theatrical experiences are in Los Angeles, and this certainly was no different. Waiting in line outside the theater beforehand, a guy drove by yelling, “Fuck yeah John Wilson!” out his window. A Gen-Z woman on the corner waiting for some tacos yelled toward us, “I’m jealous of every single person waiting in that line.” It was a good vibe.
Some would argue that the weather and the water are what makes living in LA worth the steep cost of living. Some might say that there’s a lot of opportunity. Some would say there’s just a lot going on. None would be wrong. It’s so expansive, both literally and metaphorically, that you can really just take what you want and leave the rest. While it’s probably nice to be a movie star and live in such a place without having to care about gas prices, the city offers up plenty for people who aren’t in the one percent. It’s still a good place to just be.
Alone in Virgil Village
Yet gas prices are a concern for many. There are more than a couple crises facing the city right now being debated in the lingering mayoral election (go Nithya). But the larger, national issues that a mayor has no power over are hitting hard here.
I was driving down Virgil and passed a Sinclair gas station with a line into the street of waiting cars because they were selling gas for $5.79 a gallon—which is the cheapest I’ve seen in the past few weeks. As the threads of the economy are being pulled apart by profiteers everywhere, I kind of wonder how this will play out in such a sprawling, only-kind-of-interconnected metropolis with an outsized police budget.
It does feel like we’re in the last moments of musical chairs, except there are like two chairs and three hundred people trying to grab a seat. There’s no telling what chaos will ensue when the dominoes start to fall at scale, and it’ll probably hit different everywhere. A city like San Francisco, condensed and contained by geography, will respond to public discontent with measures that won’t work in LA’s sprawl. That discontent will be difficult to measure as well, because class solidarity doesn’t really begin to take hold until a large majority of people can’t afford to just be where they’re at.
So I’m trying to enjoy these fun little movie screenings while I can, because it certainly feels like this is all going really bad and is going to get much worse in the not-too-distant future, and I have no clue what living in a city like Los Angeles is going to be like if gas hits ten bucks a gallon and all the restaurants shutter, but I can’t imagine it will be the fun kind of vibe I enjoyed last night.
One of the maddening parts of LA culture is that some restaurants are hot spots to be seen in, and so they probably get more business than the food actually deserves. When you don’t know this before making a reservation, you end up overpaying for a mid meal just because the place is on a trendy block off Sunset. Whoops.
(Then there’s always the later part of the night where driving becomes a competitive sport while street signs and traffic lights are largely disregarded and double parking and careless pedestrians crowd every other street. Sometimes I think the 2028 Olympics should feature a special LA-based contest called Taking Your Life In Your Hand By Driving Down The 110 From Highland Park To The 10 West After Dark.)