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Colin Smith (b. 1982) works in a form of assembly within and across disciplines, both in digital and analogue formats. His processes are informed by theorist Marshall Mcluhan's thesis that the medium is the message, resulting in pursuits that, in their realized forms, speak to an idea of the content as well as the method to its creation.
Educated in fields of institutional communication—graphic design, journalism, and advertising—he utilizes their tenets in tandem with more traditional tradecraft, resulting in projects whose tangible result is commentary on the blurring line between art, industry, and capital in the United States.
See the About page for more information.